Mixing in Logic Pro X — The Basics.

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I always think of the channels in groups because it helps to understand the song. For example, when you download a channels multitrack file and import it to your mixing project, it can be scary at first. Also, you can process the same kind of sounds together if you use those bus groups.

For example, I always tend to compress the drums together to get the most energy out of them. Therefore, I have to route all of them to a bus group. Having that group from the beginning is perfect for me. The bus routings are on the second page of the buses, so your primary bus names can stay the same. You can see it below:. Set the bus groups from the beginning of a mix project, and delete the unnecessary ones.

So this is why I put a VCA type compressor on the drum bus group. You can always tweak it to your liking, and I encourage you to do so because every song is different. But if you want energetic drums, this compressor will help you a lot.

Sometimes I want a big, powerful sound from drums. When I want that, I use the Drum Crush bus. It compresses the signal to hell and adds some distortion to make it even more powerful. I put there a compressor and an overdrive plugin, but you can always use its variations.

For example, if you have something like a tape machine, you can add it with your favorite settings on every bus group, so you can always reach them with just a click. Then, you can start mixing with those plugins bypassed, and you can open them when you need. There is a stereo out bus; why would I use a mix bus?

Good question. I use it for a couple of reasons. Sometimes I need to send the whole mix to another bus group to parallel process it, or I can put some weird effects on it and dial with the mix.

So you can do that with the Mix Bus group. Also, I always use a monitoring plugin on my stereo bus, which decreases the volume. I always keep an eye on my mix bus, and I put my limiter on the stereo out in the Logic Pro mixer when I need it. So, the groups work like this: the channels routes to bus groups, and the bus groups routes to mix bus. Then the mix bus goes to stereo out. I realized that I almost always tend to use a compressor on my mix bus to get the most energy from the mix, so I put a compressor on the mixing template.

You have to listen to the song and dial the settings of the compressor to your likings. The best way to do this is to take the threshold all the way down to where it compresses around dB. And change the attack and release parameters there.

When you find the best settings for your mix, take the threshold back. There is no rule for that, but around 3 to 4 dB will be nice.

I also use the mix knob, so if you use it like how it is, you will do parallel compression. And we came to the fun part, the effects! I have too many buses ready for most of the situations. Those effects are enough to give me what I need quickly, but I always edit them later. Details always come later in the mix for me.

This Logic Pro mixing template lets me do this easily. We have small, medium, plate, long, big, and a massive reverb on the mixing template.

Every one of them has a different pre-delay and decay time. Small and medium are room reverbs; long and big are hall reverbs. It has a different character, and I mainly use it on guitars and the percussive sounds. When I want to replicate a room, I use the small reverb. When I want to take everything in similar places, I use medium reverb.

When I want to use the reverb as an effect, I tend to use long, big, and massive ones. Create nuanced drum tracks, mix and match music while staying on tempo, and more. As your song develops, Logic Pro helps you organize all your ideas and select the best ones. Group related tracks, audition alternate versions, and consolidate multiple tracks.

Lightning-fast click-and-drag comping helps you build your best performance from multiple takes. Quickly manipulate the timing and tempo of your recording with Flex Time. Easily move individual beats within a waveform to correct a drum, vocal, guitar, or any other kind of track without slicing and moving regions. Edit the level and pitch of individual notes quickly and easily with Flex Pitch.

Roll over any note and all parameters become available for tweaking. Play freely and stay on beat with Smart Tempo, a way to effortlessly mix and match music and beats without worrying about the original tempo. Record freely without a click track. And easily combine and edit MIDI and audio tracks — from vinyl samples to live instruments to multitrack audio stems — with constant or variable tempo.

Create organic-sounding acoustic drum tracks or electronic beats with the intelligent technology of Drummer. You can choose from dozens of drummers across many musical genres, and direct their performances using simple controls.

Edit the drum pattern in real time, including volume, complexity, and swing. Drummer can even follow along to a specified track and adjust its playing accordingly — much like a live drummer would.

Click and drag to choose the best sections of each take to create a seamless comp, complete with transition-smoothing crossfades. Save multiple comps and switch among them to pick the one you like best. Consolidate multiple related tracks into a single track. Use a Summing Stack as a quick way to create submixes. Or create layered and split instruments. Create alternate versions of a track or multiple grouped tracks, and switch between them at any time to audition different options.

Create, store, and select from different edits and arrangements of track regions to make it easier to experiment with various creative ideas. Load any version to make changes without compromising your original. Assign any selection of channels to a track group, then control the levels or other parameters of all tracks in the group from any single channel in the group.

Easily capture changes to any channel strip or plug-in parameter. Just enable automation, press Play, and make your changes. Make your songs and other audio productions sound their best with a complete collection of dynamics processors, EQs, and other production effects. Use built-in Logic Pro plug-ins or any third-party Audio Unit effects to directly and permanently render effects in any portion of an audio file, or to multiple files at once. Transform MIDI performances into music notation in real time as you play, creating perfectly readable notation even from a performance that may be less than perfect.

Logic Pro makes scoring and sound design a snap. Share projects and tracks with AirDrop, Mail Drop, or a comprehensive set of features for exporting stems. Render, or bounce, a project to a single audio file — or to multiple audio files. A project can be bounced to several different file formats simultaneously, and a surround project can be bounced to a set of surround audio files.

Learn more about transitioning from GarageBand to Logic Pro. Learn more about mainstage. Download MainStage from the App Store. Buy education bundle now. Logic Pro. Buy Logic Pro. Logic Pro Ridiculously powerful. Powerful creative tools for professional songwriting, beat-making, editing, and mixing. Integrated Dolby Atmos tools for mixing and exporting songs as spatial audio.

A massive collection of plug-ins and sounds to fuel creativity. Control music-making sessions from your iPad or iPhone with Logic Remote. Mix and export your song as a Dolby Atmos spatial audio file, ready for Apple Music.

Expanded surround mixer and new 3D Object Panner Mixer level meters and surround panners now support Dolby Atmos up to 7.

Plug-ins enhanced for spatial audio Surround-enabled plug-ins are optimized to work in Dolby Atmos and provide all the tools you need to create a professional-sounding spatial mix.

Live Loops Explore musical ideas using a grid of musical loops and phrases that you can trigger and manipulate in real time to create unique arrangements. Sequence your beats Program drum patterns and melodic parts, create dynamic rhythmic performances, and automate your plug-ins — all with a quick tap of your finger.

The ultimate way to record. Get the most out of MIDI. Live Loops. For spontaneous composition. Step Sequencer.